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The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.
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Since you walked out on me I'm getting lovelier by the hour. I glow like a corpse in the dark. No one sees how round and sharp my eyes have grown how my carcass looks like a glass urn, how I hold up things in the rags of my hands, the way I can stand through crippled by lust. No, there's just your cruelty circling my head like a bright rotting halo.
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Constrain the user's expectations to match the abilities of the software.
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I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.
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Thinking for yourself is still a radical act
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I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this'
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When I was a kid if I was unhappy, I'd stroke my dog. I was into bringing injured birds into the house, RSPCA activities. And the relationship that you have with animals, you can get that from your children: that unquestioning love and adoration and equal need.
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That which we call sin in others is experiment for us.
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If theres an injury, for a couple games, you can have guys step in. But for a long period of time, it always catches up with you.
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I agree that all kids of all colors love hip-hop. My point in writing the book was to raise questions about the ways the hip-hop generation and the millennium generation, both who have lived their entire lives in post-segregation America, are processing race in radically different ways than any generation of Americans. I think they have a lot to tell us as a country about ways of addressing race matters.
