"I used to think that the brain was the most wonderful organ in my body. Then I realized who was telling me this."

-- Emo Philips

#Thinking Quotes #Brain Quotes #Body Quotes

“The closer you get to reality, the harder it is to make it look convincing to the audience. That's why I tend to make things [films] that are a little bit more caricature.”
“The majority of individuals view their surroundings with a minimal amount of observational effort. They are unaware of the rich tapestry of details that surrounds them, such as the subtle movement of a person's hand or foot that might betray his thoughts or intentions.”

Source : Joe Navarro, Marvin Karlins (2009). “What Every BODY is Saying: An Ex-FBI Agent’s Guide to Speed-Reading People”, p.8, Harper Collins
“["The Sun Also Rises" is about] bullfighting, bullslinging and bullsh[*]t.”
“Every once in a while as an actor, you do something that the kids really like.”

Source : "Interview: Ernie Hudson Is The Autobots' Man In The Government In 'Transformers: Prime'". Interview with Charles Webb, www.mtv.com. May 18, 2012.
“I can't say that I ever abided nerd stereotypes: I was never alone or felt outcast.”
“For far too long we've allowed the other side to paint us as racist, as sexist, inhumane war mongers - well, today as a conservative black Republican and former solider, I'm here to set that record straight.”
“What I really want out of life is to discover something new, something mankind didnâ€™t know was possible to do.”

Source : "Biography / Personal Quotes". www.imdb.com.
“If... [Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.”

Source : "The Listening Composer". Book by George Perle, p. 98, 1990.

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