Hermann Franz Moritz Kopp famous quotes

Last updated: Sep 5, 2024

  • Oh when I was in love with you, Then I was clean and brave, And miles around the wonder grew How well did I behave. And now the fancy passes by, And nothing will remain, And miles around they'll say that I Am quite myself again.

  • Here dead lie we because we did not choose to live and shame the land from which we sprung. Life, to be sure, is nothing much to lose; but young men think it is, and we were young.

  • You have your identity when you find out, not what you can keep your mind ON, but what you can't keep your mind OFF.

  • Gratitude is something of which none of us can give too much. For on the smiles, the thanks we give, our little gestures of appreciation, our neighbors build their philosophy of life.

  • I find placebos uplifting and exhilarating. It means that taking action--no matter what the action is--might help you feel better.

  • The pattern of a newspaperman's life is like the plot of 'Black Beauty.' Sometimes he finds a kind master who gives him a dry stall and an occasional bran mash in the form of a Christmas bonus, sometimes he falls into the hands of a mean owner who drives him in spite of spavins and expects him to live on potato peelings.

  • Like most of those who study history, he (Napoleon III) learned from the mistakes of the past how to make new ones.

  • I can't tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can't tell you is that the purpose of a poem is to go past telling, to be recognised by burning.

  • It is time, therefore, to abandon the superstition that natural science cannot be regarded as logically respectable until philosophers have solved the problem of induction. The problem of induction is, roughly speaking, the problem of finding a way to prove that certain empirical generalizations which are derived from past experience will hold good also in the future.

  • How aware were photographers in the past of other visual arts? "No photographer of any distinction at all could approach his work without some awareness of what was going on in other visual media, and for that matter neither the painter nor the draughtsman could ignore photography."