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In a weird way, I live vicariously through the characters I play as an actor.
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All paths are the same: they lead nowhere. ... Does this path have a heart? If it does, the path is good; if it doesn't, it is of no use. Both paths lead nowhere; but one has a heart, the other doesn't. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong; the other weakens you.
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Those who are nothing particular are noble people. Don't strive - just be ordinary.
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I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone.
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When I was 7, I came up with the idea of 'charm socks.' My mom would take me to buy bags of plastic charms, we would sew them on frilly white socks, and I sold them at school.
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I dress up as a middle-aged prostitute and do a game show.
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I'm glad I went through the training because I've met such great mentors and lifelong friends/collaborators along the way. Also, any training (acting, movement, dance, piano, singing, etc) allowed me to hone my skills and find an inner space of self-generating creativity.
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It is very easy to take for granted the phenomenon that we are each alive, but we must try not to.
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I decide every day that I love Creativity enough to accept that Fear will always come with it. And I talk to Fear all the time, speaking to it with love and respect, saying to it: “I know that you are Fear, and that your job is to be afraid. And you do your job really well! I will never ask you to leave me alone or to be silent, because you have a right to speak your own voice, and I know that you will never leave me alone or be silent, anyhow. But I need you to understand that I will always choose Creativity over you.
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I want to touch with my mouth. His mouth, with my mouth. Maybe his neck, too. But first things first: Make him aware I exist. It’s possible that he is already aware, if only in a ‘don't step on the small girl’ kind of way.
