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I'm not supposed to talk about the snail. The snail is, well, congratulations to whoever noticed it. It's supposed to be a thing where you gotta look for it in every episode, and it's there three times in every episode.
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One can legitimately accentuate certain things, like a caricaturist.
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A man--poet, prophet, or whatever be may be--readily persuades himself of his right to all the worship that is voluntarily tendered.
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I do not believe that it could never be justifiable to experiment on a brain-damaged human.
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Because if you take a risk, you just might find what you're looking for.
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Many a man has risen to eminence under the powerful reaction of his mind in fierce counter-agency to the scorn of the unworthy, daily evoked by his personal defects, who with a handsome person would have sunk into the luxury of a careless life under the tranquillizing smiles of continual admiration.
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The biggest challenge is not coming up with the stunt, the biggest challenge is designing a sequence around it that sort of justifies its existence.
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I feel quite excited about the possibility of working on multiple albums. There's something really iconic about having a catalog featuring a lot of albums, and I'd love to have that legacy.
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Use gentle methods to get whatever good you can from priests and monks who are slaves, as well as from merchants and captives. Resort to severe measures only in extreme cases, for fear lest the hardship they are already enduring in their state of captivity, joined to the strictness you might want to exercise in virtue of your authority, drive them to despair. . . . It is not light they need, but strength, and strength permeates through the external balm of words and good example.
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Someone can only be vampiric if you allow it.
