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The most immoral and disgraceful and dangerous thing that anybody can do in the arts is knowingly to feed back to the public its own ignorance and cheap tastes.
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The next war... may well bury Western civilization forever.
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I don’t know why life isn’t constructed to be seamless and safe, why we make such glaring mistakes, things fall so short of our expectations, and our hearts get broken and out kids do scary things and our parents get old and don’t always remember to put pants on before they go out for a stroll. I don’t know why it’s not more like it is in the movies, why things don’t come out neatly and lessons can’t be learned when you’re in the mood for learning them, why love and grace often come in such motley packaging.
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Now, a lot of what we are doing right now, quite frankly, is because of what happened on Christmas. Many of the things were kind of in the works. We were already planning, for example, the purchase and deployment of advanced imaging technology. You call them body scanners. We call them AITs (Advanced Imaging Technologies).
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[U]sefulness is happiness, and... all other things are but incidental.
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Generosity is not limited to the giving of material things. We can be generous with our kindness and receptivity. Generosity can mean the simple giving of a smile or extending ourselves to really listen to a friend. Paradoxically, even being willing to receive the generosity of others can be a form of generosity.
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My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
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In fact, one could argue that the skill of the fiction writer boils down to the ability to exploit intensity.
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Don't keep forever on the public road, going only where others have gone and following one after the other like a flock of sheep. Leave the beaten track occasionally and dive into the woods.
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Crank, You See isn't any ordinary monster. It's like a giant octopus, weaving its tentacles not just around you, but through you, squeezing not hard enough to kill you, but enough to keep you from reeling until you try to get away. Try, and you hunger for it grasping clutch, the way its tendrils prop you up, your need intensifying exponentially every minute you refuse to admit its being (p.469)
