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We are combining elements like tuxedos and workwear, for contrast; some looks also are based on 30s-era inspirations.
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The Pearl Principle - no inner irritation, no pearl.
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With acting, I've got a character to inhabit. You've got to think about your intentions and your directions. In modeling, even though there's an act to it, a good model is a good model. For me it's uncomfortable territory. You start to feel quite insecure about yourself. There's nothing between you and the camera, and it's just you.
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The only master that exists, the only one that's true and believable is your own conscience. To find it you have to stand in silence-alone and in silence-you have to stand on the naked earth, naked yourself and with nothing around you, as if you were already dead. You don't hear anything at first; the only thing you feel is terror, but then you begin to hear a voice, away in the background, far off; it's a calm voice, and maybe its banality gets on your nerves to begin with.
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I think the Australian people are very conscientious. During the 1980s and 1990s we proved they will respond conscientiously to necessary reforms. They mightn't like them but they'll accept them. But reforms have to be presented in a digestible format.
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The melancholy days are come, the saddest of the year, Of wailing winds, and naked woods and meadows brown and sear.
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Anybody can make hood music or club records, that's not hard. But can you make music that touch people's souls. That's what I was out to do.
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The student is to collect and evaluate facts. The facts are locked up in the patient.
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The Presidency is not a bed of roses.
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You don’t try to build a wall, you don’t set out to build a wall. You don’t say ‘I’m going to build the biggest, baddest, greatest wall that’s ever been built.’ You don’t start there… You say ‘I’m going to lay this brick as perfectly as a brick can be laid.’ And you do that every single day and soon you have a wall.
