Capacity To Love famous quotes

Last updated: Sep 5, 2024

  • Jesus is moved to happiness every time He sees that you appreciate what He has done for you. Grip His pierced hand and say to Him, 'I thank Thee, Saviour, because Thou has died for me.' Thank Him likewise for all the other blessings He has showered upon you from day to day. It brings joy to Jesus.

  • God is more powerful than anybody's past, no matter how wretched. He can make us forget - not by erasing the memory but by taking the sting and paralyzing effect out of it

  • Where there is no belief in the soul, there is very little drama . . . . Either one is serious about salvation or one is not. And it is well to realize that the maximum amount of seriousness admits the maximum amount of comedy. Only if we are secure in our beliefs can we see the comical side of the universe.

  • I think now I'm up to something like 85 different titles that I've published.

  • Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies.

  • I grew up in the Methodist church and taught Sunday school, and one of my favorite passages of scripture is, 'in as much as ye have done it unto one of the least of these my brethren, ye have done it unto me.'' Matthew 25:40.

  • Although a biologist, I must confess I do not understand how life came about...  I consider that life only starts at the level of a functional cell. The most primitive cells may require at least several hundred different specific biological macro-molecules. How such already quite complex structures may have come together, remains a mystery to me. The possibility of the existence of a Creator, of God, represents to me a satisfactory solution to this problem.

  • To live an extraordinary life, you must resist an ordinary approach.

  • If you're not the hero of your talent story, you simply become a player in one you didn't choose.

  • The mind can be thought of as containing reels and reels of motion picture film about our past experiences. These images are superimposed not only on each other but also on the lens through which we experience the present.