Moran Atias famous quotes
50 minutes ago
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Take responsibility and make a relationship the best it can be. We're all afraid of being hurt. Get rid of that fear. Be in the moment and enjoy the relationship - or you'll ruin it.
-- Moran Atias -
I liked to explore different arts. But when I started acting, I knew this was the medium I want to be in for the rest of my life. Stories onscreen affect me the most.
-- Moran Atias -
Italy was a surprise in my life. I went there just to make money and then go back to Israel and study psychology. The arts wasn't something I grew up with or thought I could be part of.
-- Moran Atias -
I always liked creativity, whether it was to draw or sew - any creative assignment I was getting from school, or just on my own. I love people and behaviors, and I'm interested and fascinated by why we do what we do. And I wanted to be a therapist, to be honest. Maybe wirking in film combines the two worlds, in a not super-linear way, but it definitely feeds both my two passions.
-- Moran Atias -
My first film - a challenging role and completely different from the persona that was created in Italy. I was this super energetic, vibrant, happy, volumed hair, fitted dresses, the whole Italian va-va-voom thing. And the role was a girl that was really provoking society with being unnecessarily violent - just trying to see what people's limits are. It's a really dark tunnel to get to being nasty, being full of hate. When people hate there's a big sadness and rage within them, so it was interesting to go that dark with my first experience.
-- Moran Atias -
Whenever there's a role that scares me, I get panicked and nervous. I know that greatness might come because I'm going to get out of my own element and comfort zone.
-- Moran Atias -
I like complex characters. I've been very, very lucky to portray, in these past three years, characters that are strong and fragile at the same time. It's those characters that I'm looking for. In the last year and half I played three different religions, and that allowed me to educate myself so much.
-- Moran Atias -
While playing complex characters you're staying in the same place but you're departing with your mind and soul and educating yourself until you can really understand such huge worlds. Those are the roles that keep loyal to the authenticity of what people are, and not caricatures. It's something that requires me to prepare for three, four months. I love the process of it, rather than, "Okay, I'm ready, I'm set with the wardrobe that somebody else chose for me."
-- Moran Atias -
If you chose to be with an abusive man, a powerful, abusive man, it reflects something about who you are and what you want for yourself.
-- Moran Atias
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I would rather play with forked lightning, or take in my hand living wires with their fiery current, than to speak a reckless word against any servant of Christ, or idly repeat the slanderous darts which thousands of Christians are hurling on others, to the hurt of their own souls and bodies.
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Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
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Let people realize clearly that every time they threaten someone or humiliate or unnecessarily hurt or dominate or reject another human being, they become forces for the creation of psychopathology, even if these be small forces. Let them recognize that every person who is kind, helpful, decent, psychologically democratic, affectionate, and warm, is a psychotheraputic force, even though a small one.
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Equality is the heart and essence of democracy, freedom, and justice, equality of opportunity in industry, in labor unions, schools and colleges, government, politics, and before the law. There must be no dual standards of justice, no dual rights, privileges, duties, or responsibilities of citizenship. No dual forms of freedom.
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There is a tendency by a lot of officials to hide behind the king. And it's about time that officials take their responsibility and are responsible in front of the people.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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You can ruin anything if you focus at it.
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Aeneas carried his aged father on his back from the ruins of Troy and so do we all, whether we like it or not, perhaps even if we have never known them.
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Why are you messing with the fantasy? We know about the reality. Don't ruin the fantasy, OK?
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It's better to live down a scandal than to ruin one's life.
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