Jill Talbot famous quotes
Last updated: Sep 5, 2024
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I like to think about the genre, the essay or the memoir, as much as I enjoy writing within its fluid parameters. And teaching allows me to think about it, to articulate it, and to explore it.
-- Jill Talbot -
Simply put, meta-writing is writing that is self-conscious, self-reflective, and aware of itself as an artifice. The writer is aware she's writing, and she's aware there's a reader, which goes all the way back to Montaigne's often-used address "dear reader," or his brief introduction to Essais: "To the Reader." It can be done in a myriad of ways.
-- Jill Talbot -
There's a moment in Sarah Manguso's The Guardians when she writes, "I try not to make anything up, and I fail every time." I get giddy when I come across lines like that - when the writer is not only making a meta-move, but one that troubles truth and fiction, the nature of genre itself.
-- Jill Talbot -
How long do we live in the fictions of our past? And how do we convince anyone that who we write is not necessarily who we are?
-- Jill Talbot -
It's been very jarring for me to stand in public and read about myself and my daughter and her father. I feel like I'm reading someone else's story, and I feel like I've lost something, too, in the writing of self, as if I'm standing and reading myself, as a stranger, to other strangers.
-- Jill Talbot -
One of my friends who writes novels says that once the book is published, it's a separate thing from you; it becomes its own. I feel that way when I read - and that applies to the experience of reading my work in public, too. The essays are a barrier between me and the audience, and it feels like a disappearing act. Poof! I'm gone, and the woman I've created on the page emerges.
-- Jill Talbot -
When I admire a writer, it's for the recognizable palette - Hemingway's minimalism, the dialogue, those isolated bar scenes. But with each story or novel, he shows me something different within the framework he's built - like noticing that there's a chair in the corner I didn't see in another story.
-- Jill Talbot -
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
-- Jill Talbot -
We read the world - television, movies, songs, books - and the people in it through the lens of our own lives.
-- Jill Talbot
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Writing essays and teaching composition have helped me immensely in writing poetry, because they've forced me to focus on the structure of ideas.
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He was teaching me how to die, just as he'd taught me how to live.
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my opinion is that we have, in the person of Da Free John, a Spiritual Master and religious genius of the ultimate degree. I assure you I do not mean that lightly. I am not tossing out high-powered phrases to 'hype' the works of Da Free John. I am simply offering to you my own considered opinion: Da Free John's teaching is, I believe, unsurpassed by that of any other spiritual Hero, of any period, of any place, of any time, of any persuasion.
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A spiritual teaching is a finger pointing toward Reality; it is not Reality itself. To be in a true and mature relationship with a spiritual teaching requires you to apply it, not simply believe in it.
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It came about as follows: over the years when I was involved in dianetics, I wrote the beginnings of many stories. I would get an idea, and then write the beginning, and then never touch it again.
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The only way to write is well and how you do it is your own damn business.
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Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think of it. And then he feels that perhaps there isn't.
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Fear is born of Satan, and if we would only take time to think a moment we would see that everything Satan says is founded upon a falsehood.
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I don't think that when Zionism began there was a claim that we were losing - even in part - our capacity to contribute to other peoples.
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Some of my academic friends think Ive fallen from a very special grace.
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Dinty W. Moore
Essayist