Rodger Kamenetz famous quotes

Last updated: Sep 5, 2024

  • The worst sorrows in life are not in its losses and misfortunes, but its fears.

  • One symptom of his (Hitler) being strangely at variance with reality, or the nature of things,was his gift for wearing inappropriate of ludicrous clothing...When he was supposed to be starting a militaristic revolution he was wearing evening dress and an ill-fitting black tailcoat...and his army medals.

  • Louis de Bernires is in the direct line that runs through Dickens and Evelyn Waugh. . .he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste.

  • Socializing on the internet is to socializing what reality TV is to reality.

  • Historic changes and challenges. Breakthroughs in human knowledge and opportunity. And yet, for vast numbers across the globe, the daily realities have not altered.

  • The F.B.I. is about nuts and bolts. It's all about witnesses and procedure and walking the streets.

  • What do you do when you see a man masturbating at a salad baran actual salad shooterbut wait, I'm single, we're both at the salad bar, we have a lot in common. I like fresh produce, he likes to get fresh with produce. I like nuts on my salad, he likes to nut on his salad.

  • We'd go to the fraternity house. It was a good place to practice. But we really wanted the kids to overhear us. And whoever heard us would go nuts over it.

  • But, in conformity to His wisdom it was right that afterwards the Prophet should be sent back from the vision of pure Unity and that he should return . . . toward the separative vision. For, He created man and jinn only that they should worship Him and know Him - and, if they remained at the degree of pure Unity, there would be none to worship Him. In this separative vision, the Worshipped and the worshipper, the Lord and the servant, the Creator and the creature are again perceived.

  • The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.