Olivo Barbieri famous quotes
Last updated: Sep 5, 2024
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I see the world as a temporary site-specific installation, structures, infrastructures, the foundation of our sense of belonging and our identity, seen from afar, as a great scale model: the city as an avatar of itself.
-- Olivo Barbieri -
I wanted to represent the world as a temporary art installation continuously changing. I wanted to consider it unreal and unfinished, judge and transform it, a possibility that only art gives us.
-- Olivo Barbieri -
I am no longer interested in seeing and knowing everything all at once in my work. Technically I select the area of focus and if it's possible I try to make an amalgamation of every shape and color in the picture so that it acquires a circular movement: from representation to abstraction, from life to death, and vice-versa.
-- Olivo Barbieri
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To be a husbandman, is but a retreat from the city; to be a philosopher, from the world; or rather, a retreat from the world, as it is man's, into the world, as it is God's.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean. We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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As a result of the awareness and consciousness of decline, an awareness and consciousness of a national ethnicity or an Islamic identity also came into being.
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Establishing an equilibrium between the Islam of truth and Islam as an identity is one of the most difficult tasks of religious intellectuals.
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A secure pluralistic society requires communities that are educated and confident both in the identity and depth of their own traditions and in those of their neighbours.
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I found a greater identity with my own emotions in the Armenian culture as I grew older, as well as from the beginning, although I didn't know anything about it.
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The present non-aristotelian system is based on fundamental negative premises; namely, the complete denial of 'identity.'
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It is most true, that Truth is a Divine attribute and the foundation of every virtue. To be true, and to seek to find and learn the Truth, are the great objects of every good Mason.
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And since geometry is the right foundation of all painting, I have decided to teach its rudiments and principles to all youngsters eager for art. . .
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No foundation that I am aware of has hired ex-journalists to promote a thoroughgoing inquiry.
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