Erdem Moral?oglu famous quotes
50 minutes ago
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I've always been intrigued by things that insinuate femininity, so in my designs, something like a flower is never about the fact that it's a flower. It's more about what that repetitive motif implies.
-- Erdem Moral?oglu -
The biggest compliment to me is being able to dress so many different women from so many different backgrounds.
-- Erdem Moral?oglu -
I love when people wear flowers in their own way, like when I see someone wearing a floral dress with brogues and a jacket. It's incongruous.
-- Erdem Moral?oglu -
I don't know if I've ever had a muse per se. I would say that the woman I'm inspired by exists more in my sketchbooks. She exists in my head.
-- Erdem Moral?oglu -
My first introduction to fashion probably came through television: I was obsessed with Elsa Klensch, who used to cover fashion for CNN.
-- Erdem Moral?oglu -
Before my sister, Sara, and I went to bed at night, my mom would show us books on Manet and other artists. Even then I was always really interested in how the women looked in the images.
-- Erdem Moral?oglu -
When I was a little boy, I was fascinated with how women looked and carried themselves.
-- Erdem Moral?oglu -
I loved cinema from a very young age. I was also obsessed with Hitchcock and actresses like Kim Novak in Vertigo. They all played heroines and were strong, powerful women, yet they were very feminine.
-- Erdem Moral?oglu
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Power is the flower of organization.
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Nationalist Socialist Germany wants peace because of its fundamental convictions. And it wants peace also owing to the realization of the simple primitive fact that no war would be likely essentially to alter the distress in Europe. The principal effect of every war is to destroy the flower of the nation. Germany needs peace and desires peace!
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If you think squash is a competitive activity, try flower arranging.
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Delete, delete, delete and at the end find the ‘core aspect of the design’
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As for a picture, if it isn't worth a thousand words, the hell with it.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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Whether it's the experiments on 'MythBusters' or my earlier work in special effects for movies, I've regularly had to do things that were never done before, from designing complex motion-control rigs to figuring out how to animate chocolate.
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I would like to mention that I have flown the 262 first in May ‘43. At this time, the aircraft was completely secret. I first knew of the existence of this aircraft only early in ‘42 - even in my position. This aircraft didn’t have any priority in design or production.
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The student is to collect and evaluate facts. The facts are locked up in the patient.
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I dared not trust the case on the presumption that the court knows everything. In fact, I argued it on the presumption that the court didn't know anything.
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