Glenn Ligon famous quotes

03-24-2025

There's a kind of slowness and inefficiency about rendering text in paint. We're in a world that's very fast, so things that slow you for a minute-give you pause-are good.
-- Glenn Ligon

#Giving #World #Kind
Paint is a very sensual material. It's lovely to work with and lovely to look at.
-- Glenn Ligon

#Lovely #Sensual #Looks
My job is not to produce answers. My job is to produce good questions.
-- Glenn Ligon

#Art #Jobs #Answers
One can take a neon tube and simply paint it black on the front. So it would read as a black letter or a line, but it would also read as neon because there would be light coming from behind that black letter.
-- Glenn Ligon

#Light #Black #Would Be
A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.
-- Glenn Ligon

#Believe #Mean #Men
Like any artwork, things become richer if you know more about them; but I don't think that's crucial.
-- Glenn Ligon

#Thinking #Artwork #Knows
It's a great idea: to feel the rhythm of something by seeing how it flows on a page.
-- Glenn Ligon

#Rhythm #Great Idea
Jazz musicians like John Coltrane needed these very clear titles for their abstract music, and your decision to bring voices into your music as a way to tap into content. It's related to the way my text-based work still functions as abstraction for me. If I repeat a sentence down a canvas, the text starts to smudge and disappear. It essentially becomes an abstract piece. The meaning of the text is still there.
-- Glenn Ligon

#Decision #Musician #Jazz
I said to myself, "If the government thinks I'm an artist, I must be one."
-- Glenn Ligon

#Artist #Thinking
Willem de Kooning paintings are a language to be learned. When they were first shown, they were ridiculed as being just drips and splatters and splashes. You had to learn how to read them.
-- Glenn Ligon

#Painting #Language
My mother really didn't come from artists. Her famous quote to me was, "The only artists I've ever heard of are dead." The pottery classes were meant to be a part of my overall uplift. I knew what it meant to be sent to art classes, but I still didn't know anything about being an artist.
-- Glenn Ligon

#Uplifting #Mother #Art
At a lecture, a guy said to me, "You know, when I look at your work, I don't know what I'm looking at, but when I look at a Willem de Kooning painting, I know what that is." I said, "Well, the paintings I'm doing have a very legible sentence at the top of the canvas." At a lecture, a guy said to me, "You know, when I look at your work, I don't know what I'm looking at, but when I look at a de Kooning painting, I know what that is." I said, "Well, the paintings I'm doing have a very legible sentence at the top of the canvas."
-- Glenn Ligon

#Guy #Painting #Canvas
I switched up so that I could work 12-hour shifts at the firm on the weekends so I could have days free to paint. But it was almost like I had a secret life, because I wasn't showing any of my work. It was just in my house. In '89, I got a grant from the National Endowment for the Arts. That's when I started to get into group shows. Suddenly I sort of "came out" as an artist.
-- Glenn Ligon

#Art #Weekend #House
I graduated from Wesleyan University with a b.a. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures. So I got an art degree as a default position.
-- Glenn Ligon

#Art #People #Architecture
I think there's an interest right now in the performance aspect of artworks, instead of just hanging things on walls. We're in a moment when a lot of younger artists are looking at work from the '60s and '70s - they are looking at the pieces by Marina Abramovic or Vito Acconci. These pieces have a time element. They were performed live. To perform them again now isn't simply an homage, because it's a different audience, a different moment.
-- Glenn Ligon

#Wall #Artist #Thinking
I love Thelonious Monk's song "Just a Gigolo." It's probably a minor song for him, but whenever I hear a recording of him playing it, I'm mesmerized, because Monk clearly loved pop music. He took it very seriously and made an amazing thing out of it.
-- Glenn Ligon

#Song #Monk #Pop Music
In government they learned their lesson. They don't trust artists anymore. Now the money has to go through arts organizations. But, yeah, back then you could get a grant, and I got $5,000 - a huge amount of money.
-- Glenn Ligon

#Art #Artist

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