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Get up now and go and find Robert Kilroy-Silk. Smile in a warm, friendly sort of way, then punch him on the nose. Now go and find Robert on television, despite my best endeavours, this is still relatively easy to do. Wait for a close-up, same smile, and punch him on the nose. If you followed the instructions carefully, you will have noticed a distinct difference. On the one hand, you were suffused with a sense of public-spirited righteousness; on the other, you're probably dribbling blood. That's the difference between reality in life and reality on television.
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All the best stories in the world are but one story in reality - the story of escape. It is the only thing which interests us all and at all times, how to escape.
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We are apt to say that a foreign policy is successful only when the country, or at any rate the governing class, is united behind it. In reality, every line of policy is repudiated by a section, often by an influential section, of the country concerned. A foreign minister who waited until everyone agreed with him would have no foreign policy at all.
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Louis de Bernires is in the direct line that runs through Dickens and Evelyn Waugh. . .he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste.
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It is possible to be a meta-physician without believing in a transcendent reality; for we shall see that many metaphysical utterances are due to the commission of logical errors, rather than to a conscious desire on the part of their authors to go beyond the limits of experience.
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We hope we're better. The reality is we had a pretty darn good team last year. But you can't just throw your gloves out there and be good again. We want to take that next step as a team.
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Reality is painful -- it's so much easier to keep doing stuff you know you're good at or else to pick something so hard there's no point at which it's obvious you're failing -- but it's impossible to get better without confronting it.
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Action is the only reality; not only reality, but morality as well.
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We coin concepts and we use them to analyse and explain nature and society. But we seem to forget, midway, that these concepts are our own constructs and start equating them with reality.
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The reality of a serious writer is a reality of many voices, some of them belonging to the writer, some of them belonging to the world of readers at large.
