Wu Guanzhong famous quotes
Last updated: Sep 5, 2024
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Art is like a kite. You have to pull the string hard in order to stretch it to its limit, but you don't want to pull it so hard that you break the thread, because the thread connects you to the land and its peoples.
-- Wu Guanzhong -
Chinese architecture has a complete organic structure; it contains both sensibility and purpose.
-- Wu Guanzhong -
If you plagiarize others' techniques, you steal their emotions and tell your spectators a lie with your work. Works as such equal zero.
-- Wu Guanzhong -
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
-- Wu Guanzhong -
Brush and ink are only servants of thoughts and emotion. They should follow your emotion and change with the emotion.
-- Wu Guanzhong -
There is no standard way of using painting techniques.
-- Wu Guanzhong
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Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.
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The obedient in art are always the forgotten . . . The country is glorious but its beauties are unknown, and but waiting for a real live artist to splash them onto canvas . . . Chop your own path. Get off the car track.
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Design should do the same thing in everyday life that art does when encountered: amaze us, scare us or delight us, but certainly open us to new worlds within our daily existence.
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Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.
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The science of anti-Semitism finally comes to explain this phenomenon, enlightening further the consciousness of people, fully satisfying their instinct and its violent eruptions thus legitimized by revealing their cause - the parasitism of the Jews. Thus it gives us the formula of the scientific solution for the problem of Judaism, which in order to realize we have only to apply.
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Order, thou eye of action.
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The Analytical Engine has no pretensions whatever to originate anything. It can do whatever we know how to order it to perform. It can follow analysis; but it has no power of anticipating any analytical relations or truths. Its province is to assist us to making available what we are already acquainted with.
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In order to be artists we need to be in our studios, in our private rooms... in our private personal space... that sacred protected space, so we can make our work. That's the only work that's worth making, right? That's the place where we can be free enough and vulnerable enough to share what we have to share.
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Give me a land of boughs in leaf A land of trees that stand; Where trees are fallen there is grief; I love no leafless land.
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Our defense is in the preservation of the spirit which prizes liberty as a heritage of all men, in all lands, everywhere. Destroy this spirit and you have planted the seeds of despotism around your own doors.
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