Violette Leduc famous quotes

Last updated: Sep 5, 2024

  • Often we want people to pray for us and help us, but we always defeat our object when we look too much to them and lean upon them. The true secret of union is for both to look upon God, and in the act of looking past themselves to Him they are unconsciously united.

  • So with truth - there is a certain moment when one can say, this is the truth and here I put a dot, a stop, and I go to another thing. A judge has to put an end to a deliberation. But for a historian, theres never an end to the past. It can go on and on and on.

  • Any city may have one period of magnificence, like Boston or New Orleans or San Francisco, but it takes a real one to keep renewing itself until the past is perennially forgotten.

  • Like most of those who study history, he (Napoleon III) learned from the mistakes of the past how to make new ones.

  • In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.

  • What we have done in the past is not sufficient now to prepare our youth.

  • The past actually happened. History is what someone took the time to write down.

  • It is time, therefore, to abandon the superstition that natural science cannot be regarded as logically respectable until philosophers have solved the problem of induction. The problem of induction is, roughly speaking, the problem of finding a way to prove that certain empirical generalizations which are derived from past experience will hold good also in the future.

  • The experience you’ve had may be unwanted, may amount to nothing but damage and waste, but experience has substance, is factual, authoritative, lives on in your past and affects your present, whatever you attempt to do about it.

  • How aware were photographers in the past of other visual arts? "No photographer of any distinction at all could approach his work without some awareness of what was going on in other visual media, and for that matter neither the painter nor the draughtsman could ignore photography."