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The world of Manhattan is small and tightly knit, and the man on top retains a certain humility. He knows how far and fast he can fall by looking at the guy across the street. The view from the $250,000 apartment covers a lot of ground, most of it condemned.
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We had the kind of team that didn't back down from anybody. If they wanted to intimidate us, we could intimidate as well as they could. Our team was too big and too good to intimidate.
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On 'Lab Rats,' I read the script probably three or four times before we ever even do a table read because I want to be completely prepared. And I want to know exactly which beats I have to hit and where I need to make something comical. Some lines need a little more than others do just to get the point across, to get the joke to be funny.
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I think with success you do get a little more guarded and you start to change your friends. You become more isolated. And you start hanging around with people who have money! I think that's the biggest thing. Once you do get a bit of change in your pocket, you start hanging around with other people who have some change. It was kind of strange to all of a sudden go from one extreme-Manhattan-to where I went, upstate New York. But I did it because I was dying in the city. I couldn't take it. I couldn't take one more dinner party. I couldn't take one more party, period.
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If one story becomes too hot, then you can't forget it. As an actor, you want to remain fluid.
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I wanted to tell a story that interested me as much in the telling as in the watching.
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What we wish upon the future is very often the image of some lost, imagined past.
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Death is the surcease that comes when the exhausting battle has been lost.
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Well, it seems to me that the best relationships-the ones that last-are frequently the ones that are rooted in friendship.
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I've always been a writer who tackles complex themes and risky subjects - I write about the things that people think but never say aloud.
