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The footnote would seem to be the smallest detail in a work of history. Yet it carries a large burden of responsibility, testifying to the validity of the work, the integrity (and the humility) of the historian, and to the dignity of the discipline.
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Lots of ambitious work by young artists ends up in a dumpster after its warehouse debut. So an unknown artist's big glass vitrine holding a rotting cow's head covered by maggots and swarms of buzzing flies may be pretty unsellable. Until the artist becomes a star. Then he can sell anything he touches .
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We must start understanding other cultures, such as the Aboriginal culture. They have a harmony with the Earth and from that harmony has grown a certain spirituality.
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The smylere with the knyf under the cloke.
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My old manager of the Irish National Theatre said 'Don't worry about being a star, just worry about being a working actor. Just keep working.' I think that's really good advice.
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I grew up on a tiny little island.
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I've talked with people of stature-of military and government credentials and position-and heard their stories, and their desire to tell their stories openly to the public. And that got my attention very, very rapidly.... The first hand experiences of these credible witnesses that, now in advanced years are anxious to tell their story, we can't deny that, and the evidence points to the fact that Roswell was a real incident, and that indeed an alien craft did crash, and that material was recovered from that crash site.
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Ducking for apples -- change one letter and it's the story of my life.
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I'm really glad I did not tattoo on my body 'cause I don't want them. So, permanence is a very scary thing to me, along with things that don't change at all.
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I refuse to accept that the shackles of slavery can ever be stronger than the quest for freedom.
