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We hold that no person or set of persons can properly establish a standard of expression for others.
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In Britain, by contrast, we still think that class plays a part in determining a person's life chances, so we're less inclined to celebrate success and less inclined to condemn failure. The upshot is that it's much easier to be a failure in Britain than it is in America.
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I think it's very important to write a demythologized woman character. My characters are flawed. They are no better than they should be.
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I love working with Paul Wesley. He’s my best friend.
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It is a bit embarrassing to have been concerned with the human problem all one's life and find at the end that one has no more to offer by way of advice than 'try to be a little kinder.'
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Mainly because people were what they were and you couldn't change them. most of the time, they couldn't change themselves, even if they were desperate to be somebody different from who they were. So, best keep your distance.
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Any innovation that is evident in my paintings is a direct result of something that happened in the course of making a print.
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I would give anything to escape myself, Flynn thought, just for a day, just for a minute even. Just to know what it was like to think differently, to feel differently, and to not be me.
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His incredible untidiness, his addiction to music at strange hours, his occasional revolver practice within doors, his weird and often malodorous scientific experiments, and the atmosphere of violence and danger which hung around him made him the very worst tenant in London.
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It is wrong to expect a reward for your struggles. The reward is the act of struggle itself, not what you win.
