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Houses, like people, have personalities, and, like the personalities of people, they are partly molded by all that has happened to them.
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Because you cannot see outside of you what you fail to see inside.
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I regret that I do not have the dignity of Ricardo Montalban, the class of Dean Martin, or the humor of Bill Cosby. I DO have the heart of a lion.
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August Smith is a child telling the truth. Sometimes the truth is he has to listen to the voices of various creatures he's killed speak to him reproachfully, and he shares that with us, because wouldn't we all? Parties abound in this collection and reading it feels like being invited. You can tell Smith wants you there.
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Men rattle their chains-to manifest their freedom.
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Some day soon, reaper, your mouth is going to be the source of your own destruction." "That does seem likely, doesn’t it?" Tod glanced at me and shrugged. "Until then, it remains a source of my own amusement.
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I'm actually happier with my body now . . . because the body I have now is the body I've worked for. I have a better relationship with it. From a purely aesthetic point of view, my body was better when I was 22, 23. But I didn't enjoy it. I was too busy comparing it to everyone else's.
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A child's own story is a dream, but a good story is a dream that is true for more than one child.
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But live you get the chance every night to rework it and change it and hone it. But then you get the false, weird oddness of being able to look at it and say: "Well that's weird, because last night they laughed at that and yet they didn't tonight. So what did I do? Nothing was different." You have that strange thing of being able to tell within five minutes what an audience is like. Very quickly an audience gets a personality and you start to think: "What is it about you all; you all hate it, don't you?" Then you come out and have friends in and they say: "It was brilliant!"
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I don't paint anymore. I haven't since I abandoned it at 19, in order to begin writing seriously.