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I think that every enduring story that has expressions over multiple periods, that role of being the keeper of the integrity of the vision is a very important role.
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I'm still exploring. As I look back, Nénette Et Boni had a massive effect on the album we made after it, Curtains. I think it's been like that all the way through. Trouble Every Day had a massive effect on Can Our Love... I think it's allowed us to raise our heads, take a bit of a left turn, explore different avenues, and then come back to our own thing and see it in a different way.
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Once we get them in the studio, you interview a person the same way you would interview another. You ask them a question. You let them answer. You try to listen closely and then ask a follow-up.
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I remember having some problems with [the Deus Ex theme] when I first heard it and I was trying to figure out how to tell [Alex Brandon] I wanted changes. But then I noticed that I couldn't get it out of my mind. I was whistling or humming it to myself all the time. So I just kept my mouth shut and let it be. I think it's a highly addictive tune
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The hand that gives is among the hand that takes. Money has no fatherland, financiers are without patriotism and without decency, their sole object is gain.
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You never feel good when you lie. It doesn't matter how much you want something, if you lie to somebody you love, and they actually, sincerely believe you, you feel like a cockroach that needs some serious Raid action.
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Over all, there are now more people under “correctional supervision†in America-more than six million-than were in the Gulag Archipelago under Stalin at its height.
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Most of my life I've had long periods of feeling down and lost. That's why every five years or so I've smashed my life to pieces and started again.
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I've produced my own films for twenty years now - it means I have to talk to less people.
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That's the only reason I'm here. I don't need to play the game for any other reason than to win a championship.