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In trying to justify the humanities, as in trying to live a life, what may turn out to matter most is holding one's nerve.
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I share the administration's goals in dealing with Iraq and its weapons of mass destruction.
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Where we're telling the story of the history of the ensemblist [in the "Ensemblist Essentials"], using the nine musicals that have won the Pulitzer Prize for Drama as fixed points in time We're going from 1931 to 2016 and using these shows to talk about what the typical show was like for an ensemblist at the time; did this show change anything about that job, while it was changing everything about the way theatre was written and produced and made?
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He whom God loveth, He beateth the hell out of.
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Beauty's a doubtful good, a glass, a flower, Lost, faded, broken, dead within an hour; And beauty, blemish'd once, for ever's lost, In spite of physic, painting, pain, and cost.
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If the (British) Arts Council give you money, they also tell you how to spend it.
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Even now I can't trust life. It did too many awful things to me as a kid.
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Every work of art depicts an aspect of reality.
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Go big or go home. Because it's true. What do you have to lose?
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After chiding the theologian for his reliance on myth and miracle, science found itself in the unenviable position of having to create mythology of its own: namely, the assumption that what, after long effort, could not be proved to take place today had, in truth, taken place in the primeval past.
