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Our planet has run out of patience. So has our sense of justice. It is time to step it up - and up - and up - until we reach the only goal that really matters: peace among people and peace between people and nature.
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I just wanted to honor who Emily was. She's just a strong woman. Through my journey of playing her, I found a lot of strength, and I think that I've changed, as a female, in the way that I carry myself. To go through something traumatic, like getting your face scarred, it made me analyze vanity a lot. When you have a little pimple and you're like, "Oh, my god, there's an alien on my face!," you feel like it's magnified.
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You can get the true essence of New Yorkers by just hanging out in Central Park
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I don't go around, the way many musicians do, with earbuds in my ear listening to my iPod all day and just sticking my head in the music all the time.
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In the end, the type of parent you are is going to be something that you carry with you. ... Having multiple kids, it's been a gift in a way. It's keeping the priorities straighter.
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It's true, I had an extremely delicious life, but that was my life at home, and perhaps because I was only a child, or for whatever reasons, I found the company of others, especially other boys, quite terrifying and upsetting.
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I had a great time doing 'Torchwood,' I really did.
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Take it all back. Life is boring, except for flowers, sunshine, your perfect legs. A glass of cold water when you are really thirsty. The way bodies fit together. Fresh and young and sweet. Coffee in the morning. These are just moments. I struggle with the in-betweens. I just want to never stop loving like there is nothing else to do, because what else is there to do?
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I haven't found a drug yet that can get you anywhere near as high as a sitting at a desk writing, trying to imagine a story no matter how bizarre it is, [or] going out and getting into the weirdness of reality and doing a little time on the Proud Highway.
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The female experience throughout the history of Korea has been accompanied by physical and mental anguish. This negative aspect of Korean history is one of the driving forces behind my work. To imagine transcending time and space to live in the body of another person is not only one of the key elements that shape my work, but also, it is an opportunity to revisit and understand the ways women have long been viewed and treated in Korea.
