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A book collection is a cross between a Rorschach test and This Is Y our Life. It marks your life clearly like rings on a tree.
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We are not always what we seem, and hardly ever what we dream.
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What kind of respect do I get? ... Just because I'm a physical player, it's O.K. to come at me and do what you want? Hey, it's a hockey game. It's not figure skating. You know what? I can take a hit and I can give a hit. I don't care who it is. No one gets a free ride out there. I don't get a free ride, and no one gets a free ride from me.
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If the ego is in the slightest way separated from its source, it yearns to find it again. This search comes from the remembrance of unity and plenitude. As every experience emanates from the non-experience which is our real being, the me also bears the scent of its source. This remembering is awakened through those moments of desirelessness and in deep sleep.
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... geometry became a symbol for human relations, except that it was better, because in geometry things never go bad. If certain things occur, if certain lines meet, an angle is born. You cannot fail. It's not going to fail; it is eternal. I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total. Thus, I'm able to avoid or manipulate or process pain.
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So the audience, at times, lets us know actually what is so special about the show that we can't even necessarily design or predict. Which is great. That's what you want art to be. You want it to be alive and to actually have a life in the way it's viewed.
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I thought that beauty alone would satisfy, but the soul is gone. I can’t bear those empty, staring eyes.
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He said,'Trust yourself, mon ami. You are not your friend with his so-sad tale. And Anita is not human. Through us she is more than that. Both of us huddle around her humanity like it is the last candle flame in a world of darkness. But by our very love, we make her less human, and more.
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That's the fun thing of casting a show. I'm a pretty strong believer that TV makes stars, not the other way around. I love the idea of having a cast where people don't associate them with too much baggage, so there's a certain amount of transparency between the character they're playing and the audience.
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The politics of that year [2004] are old now, but the problem remains the same, the real culture clash of American life. It's between the essence of fundamentalism - paternalism, authority, and charity - and the messy imperatives of democracy, "the din of the vox populi" once derided by Abram Vereide. It's the difference between false unity, preached from above, and real solidarity, pledged between brothers and sisters - the kinds who are always bickering.
