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Often I'm struck by something that I read; then I go and research it a little more, especially if I begin a poem, and I find out that I need to know more. Then I usually get intrigued and excited about whatever it is I'm writing about.
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I'm very detail oriented. I think that's why people enjoy my memoirs - because I tend to remember everything.
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The days of our lives, for all of us, are numbered,
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I don't think I really accepted my power as a woman until I realized that no was a complete sentence. When I stopped making excuses for saying it and began creating boundaries in my life, I knew real power.
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What is the point of making the film if the man doesn't marry the girl?.
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Barth's approach tears up any possibility of dialogue between faith and unfaith or between theology and other human sciences. Theology just says what it says on the basis of scripture, and that's that.
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I don't have a philosophy of caricature. I'm not even sure I am a caricaturist, in the strictest sense of the word - I don't really exaggerate much. For a while, recently, I was thinking of attempting a reverse-caricature of Donald Trump; he certainly already appears to be a caricature of himself. I wondered about de-caricaturizing him, scaling back his whole face and hair and visual excess, and attempting to shed light on him that way.
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People listen to the beat first. So if that doesn't draw people in especially with the audience I cater to, they're definitely about that production.
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I use Graf Edmonton for boots and John Wilson blades.
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Creativity begins with an affinity for something. It's like falling in love.
