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We might as well swing boys, because Stravinsky cuts us all.
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My contact with [Cato] was strange. They're ideologues, like Trotskyites. All questions must be seen and solved within the true faith of libertarianism, the idea of minimal government. And like Trotskyites, the guys from Cato can talk you to death.
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Chances are, if you are following the crowd, you're following the wrong path.
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Musically I try to connect a common bridge between such exhilarating feelings as performing at the Acropolis, to the emotions each and every one of us feel everyday. In the end, a good melody will always stand the test of time.
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Our fates are in the hands of An Almighty God, to whom I can with pleasure confide my own; he can save us, or destroy us; his Councils are fixed and cannot be disappointed, and all his designs will be Accomplished.
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I hate to say stuff like this because everyone dreams about playing The Opry, everyone dreams about playing Gruene Hall, but I've always tried to not concentrate too hard on where I want to go because I know if I put too much stock into it, it would be pretty disappointing if I never got there.
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Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.
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You just need to put yourself in someone else's shoes and then see how they feel and then you will understand why they are reacting or why they are behaving the way that they are behaving. We need to be fair.
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I wanted so badly to study ballet, but it was really all about wearing the tutu.
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I can't compare my life growing up in Leimert Park to someone in Imperial Village Projects; we don't have the same options and I understand that. You do what you do based on survival and instincts. If I know something, I try to share it and give that opportunity and enlightenment to whomever I'm around, some people might not want to hear it but once you know something, you have the option to do better.
