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My main expertise is in the past, but if I have to extrapolate into the future, I would say: no good news any time soon and an obvious exit strategy is not apparent to me.
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My mother was physically and emotionally abusive. My father was an extremely cold man.
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I've always had a fascination with interior design. As a kid, I used to go to real estate open houses with my parents on the weekends. Like a nerd! I would think of how I would piece rooms together at those open houses.
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I've always juggled a lot of projects because at least half the projects you do get shelved. So you have to do a lot of things in order for things to move forward.
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The hegemony of finance and the banks has produced the indebted. Control over information and communication networks has created the mediatized. The security regime and the generalized state of exception have constructed a figure prey to fear and yearning for protection—the securitized. And the corruption of democracy has forged a strange, depoliticized figure, the represented. These subjective figures constitute the social terrain on which—and against which—movements of resistance and rebellion must act.
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Cotton Owens was leading and daddy was second. They came up on me and I moved over to let them pass. Cotton went on, but daddy bumped me in the rear and my car went right into the wall.
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Beauty is a manifestation of secret natural laws, which otherwise would have been hidden from us forever.
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People always seem to see echoes of their own lives in my films.
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I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
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So when my film career took off, I always felt like I was trying to play catch-up because I hadn't studied acting before. I didn't know how to manage money or my career. When I look back, I think I was a little bit shell-shocked.
