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What an artist does, is fail. Any reading of the literature... (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms).
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Be passionate and bold. Always keep learning. You stop doing useful things if you don't learn.
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Debunking certain things is important, first because you question things, which is always healthy, and second because there's a part that has to do with show biz, which is pretty harmless, but there's another part that has to do with people's vulnerability. That needs to be exposed.
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Even brave men, and D'Arnot was a brave man, are sometimes frightened by solitude.
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The need for devotion to something outside ourselves is even more profound than the need for companionship. If we are not to go to pieces or wither away, we all must have some purpose in life; for no man can live for himself alone.
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Traditionally, art has been for the select few.
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You know, the finest line a man will walk is between success at work and success at home.
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Even an ugly, abject photograph bears the recording of its making... my goal [is] to create dense objects, works in which many lines of thought converge.
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And I don't like people who eat powdered doughnuts. I don't car how careful you are, they're just plain messy. I can't believe they taste good enough to justify getting that sugar all over everything, especially me.
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15, 16, I mean, 17, 18, is when I was really getting into the hip hop phase and really studying the things that I needed to study as far as learning about flows and learning about lyrics.