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Usually you talk about directors in terms of the way they choose camera lenses or a kind of light to create a certain effect. But to me the most valuable commodity for a movie to create is a feeling of life, and that's what A Hard Day's Night has in spades.
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I did not want to live out my life in the strenuous effort to hold a ghost world together. It was plain as the stars that time herself moved in grand tidal sweeps rather than the tick-tocks we suffocate within, and that I must reshape myself to fully inhabit the earth rather than dawdle in the sump of my foibles.
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People say that crisis changes people and turns ordinary people into wiser or more responsible ones.
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Neanderthals might think differently than we do. We know that they had a larger cranial size. They could even be more intelligent than us. When the time comes to deal with an epidemic or getting off the planet or whatever, it's conceivable that their way of thinking could be beneficial.
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I pass through many Me's in the course of my day, each one selfish with his time. The Lying-in-Bed me and the Enjoying-the-Hot-Shower Me are particularly selfish. The Late Me loathes the pair of them.
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I only go to mass when somebody asks me, but when I get in trouble I call for a priest.
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When raising money, you want to look through the lens of 'What happens when things go wrong?'
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Clarity is the counterbalance of profound thoughts.
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The greatest travelers have not gone beyond the limits of their own world; they have trodden the paths of their own souls, of good and evil, of morality and redemption.
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I have been represented as a Protestant minister; there was not one of the canvassers of the honourable gentlemen opposite that did not represent to the people that I was not a Minister of the Crown, but that I was a Protestant minister
