"The problem isn't who is in charge. It's what is in charge. The problem is that people are encouraged to function as machines. Or, actually, as mechanisms. Human emotion and sympathy are unprofessional. They are inappropriate to the exercise of reason. Everything which makes people good - makes them human - is ruled out. The system doesn't care about people, but we treat it as if it were one of us, as if it were the sum of our goods and not the product of our least admirable compromises."

Source : Nick Harkaway (2008). “The Gone-away World”, Random House

Nick Harkaway

#Exercise Quotes #People Quotes #Machines Quotes

“I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work”

Source : "The Strange World Of... David Toop". Interview with Karen Shook, thequietus.com. June 28, 2016.
“If some confectioners were willing To let the shape announce the filling, We'd encounter fewer assorted chocs, Bitten into and returned to the box.”
“Big up to Flex. Stop taking so much cizock in his mizouth.”
“So I wrote what I hoped would be science fiction, I was not at all sure if what I wrote would be acceptable even. But I don't say that I consciously wrote with humour. Humour is a part of you that comes out.”
“But would the young do any better under the same circumstances? Will they do any better when their turns come? The answer is that youth would not and cannot, given the financial and economic framework within which the elders are operating. While the moral convictions of individuals are important in the long run, it is institutions that determine the immediate course of events - particularly the institutions of finance.”

Source : Louis O. Kelso, Patricia Hetter Kelso (1967). “Two-factor Theory: the Economics of Reality; how to Turn Eighty Million Workers Into Capitalists on Borrowed Money, and Other Proposals”, New York : Vintage Books
“Well, it was one of my most gratifying experiences because I could devote my knowledge and my talent for the good for the City of Washington, and all the Federal projects where the Fine Arts Commission had jurisdiction, and it was a tremendous experience.”
“David Foster Wallace is a big idol of mine. His writing is so clear that for years I'd read him and think, My God, he is actually writing the way I think. He's describing the thoughts in my head. And then I realized, No, wait. He's just such a good writer, so transparent and articulate, that when he describes his thoughts, I think they're my own.”

Source : "Damian Kulash of OK Go: On Creativity, Design, and Activism". Interview with Maranda Pleasant, www.marandapleasantmedia.com.
“The artist who could disentangle the subtle soul of the image from its mesh of defining circumstances most exactly and 're-embody' it in artistic circumstances chosen as the most exact for it in its new office, he was the supreme artist.”

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