"It wasn't not being famous any more, or even not being a recording artist. It was having nobody who needed me, no phones ringing, nothing to do. Because I'm still too young to do nothing. I was only 24 when all that happened. Now, at 40, I feel I've got more to give than I ever have."

--

Source : "Gary Barlow: the sexy one". Interview With Barbara Ellen, www.theguardian.com. October 8, 2011.

Gary Barlow

#Artist Quotes #Phones Quotes #Giving Quotes

“It takes a good crisis to get us going. When we feel fear and we fear loss we are capable of quite extraordinary things.”
“Music is liquid architecture; Architecture is frozen music.”
“I felt it [Shakespeare's Coriolanus] is sort of an examination of our dysfunction as a nationalistic, tribal entities. I think the world is rocking and cracking open in weird and worrying places. And I think Coriolanus, the play, reflected that.”
“You have to understand that I'm a child of the second generation, which means my mother was in Auschwitz, and the aunt of my mother was in Auschwitz with her; my grandmother and grandfather died there. So yes. All of those gestures they work for you, or for them, to fill their time or not feel their anxiety. But the child feels everything. It doesn't make the child secure. You put the child in a jail.”
“Other than our disagreement over Syria, I would say our relationship with Russia is very good and we are seeking to broaden and deepen it. Twenty million Russians are Muslims. Like Russia, we have an interest in fighting radicalism and extremism. We both have an interest in stable energy markets. Even the disagreement over Syria is more of a tactical one than a strategic one. We both want a unified Syria that is stable in which all Syrians enjoy equal rights.”

Source : Source: www.spiegel.de
“You can feel yourself trying too hard, doing too much. Nobody wants to watch somebody when they're needy, and actors are in the unfortunate position of needing to be cast and needing to be liked.”
“She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen. With wonder, she smiled. That such a room existed!”
“... Beethoven concertos ... Tchaicovsky concertos ... with a lot of these wonderful masterpieces there's always something wonderful to find ... there's always something new to find ...”

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