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“In Hinduism, Shiva the Cosmic Dancer, is perhaps the most perfect personification of the dynamic universe. Through his dance, Shiva sustains the manifold phenomena in the world, unifying all things by immersing them in his rhythm and making them participate in the dance - a magnificent image of the dynamic unity of the Universe.”
Source : Fritjof Capra (2010). “The Tao of Physics: An Exploration of the Parallels Between Modern Physics and Eastern Mysticism”, p.174, Shambhala Publications
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“Tense and nervous are not the words, though they are the words”
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“We live in a time where everybody has an opinion and everyone's opinion can be featured somewhere, whether it's an online column and everybody has their form because of the internet. I just find it really shitty that someone who never really produced anything, musically speaking, can just say, "I don't really like it." It just sucks because you put so much work into a record and someone disapproves.”
Source : Source: archive.alternativenation.net
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“Maybe it has something to do with being a reporter for a long time that I don't look to newspapers and television and so forth for inspiration most of the time.”
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“I'm limited as a human being, and when you look at certain situations, it's very bleak. Or at least it appears that way, but then I seek spiritual counseling. My inner circle of people are like-minded, so we strengthen each other.”
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“I would be a winner because I was a loser! That's right. I dream of failure every night of my life, and that's my secret. To makeit in this rat race you have to dream of failing every day. I mean, that is reality.”
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“Obedience to a confessor is the most acceptable offering which we can make to God, and the most secure way of doing the divine will.”
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“The best way for women to acquire knowledge is from conversation with a father, a brother, or a friend, in the way of family intercourse and easy conversation, and by such a course of reading as they may recommend.”
Source : Anna Letitia Barbauld, Lucy Aikin (1825). “The works of Anna Laetitia Barbauld: in two volumes”, p.18