"I do not feel that we should allow a shortage of funds to prevent cities from financing needed projects."

-- Hubert H. Humphrey

#Cities Quotes #Projects Quotes #Should Quotes

“Skullcrack City messes with your mind the way William Burroughs or a bellyful of hallucinogens will do. I'm a longtime fan of Johnson. A master of derangement, he's been bringing it for years. This time, though, it's different. He's burst into the clear and is taking seven-league strides across the literary landscape.”
“We will hire someone with less experience, less education, and less expertise, than someone who has more of those things and has a rotten attitude. Because we can train people. We can teach people how to lead. We can teach people how to provide customer service. But we can't change their DNA.”
“I think a lot of American poets are swimming-pool Soviets. A lot of them have taken the comfortable, self-protective route too often. I know that I certainly have. That's easy to do.”

Source : Interview with Anne-Marie Cusac, www.sharedhost.progressive.org. March 31, 2003.
“I try to create paintings that are a window for the imagination. If people look at my work and are reminded of the way things once were, or perhaps, the way they could be, then I've done my job.”
“Holland is a land of intense paradox. It is quite impossible, but it is there.”
“Rock'n'roll as a genre is different from pop and hip hop: it is about bands, and that for me suggests brotherhood, family, friendship and community.”

Source : "The third act of Steven Van Zandt" by Sarfraz Manzoor, www.theguardian.com. December 3, 2005.
“Names generate meaning in a short amount of space â€” they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.”
“The music has to be affordable. It's the common man that keeps it going, and if you price it out of his realm, it becomes a thing of the elite.”

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