"Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on."

--

Source : Source: editorial.rottentomatoes.com

Jay Cassidy

#Editors Quotes #Discipline Quotes #Film Quotes

“Kisten, please don't leave me," I begged, and his eyes opened. "I'm cold," he said, fear rising in his blue eyes. I held him tighter. "I'm holding you. It's going to be okay." "Tell Ivy," he said with a gasp, clenching in on himself. "Tell Ivy that it wasn't her fault. And tell her that at the end... you remember love. I don't think... we lose our souls... at all. I think God keeps them for us until we... come home. I love you, Rachel." "I love you, too, Kisten," I sobbed, and as I watched, his eyes, memorizing my face, silvered, and he died.”
“I thought, writing is everything, it's so much more important than this or that. If only I could give that young man a stern talking to. Having a child changes things quite a bit.”
“Each piece of writing I undertake, whether a story, novel, play, or poem, begins with an image.”
“I do believe sadly it's going to take some diseases coming back to realize that we need to change and develop vaccines that are safe.”
“The real forces behind Bolshevism is Russia are Jewish forces, and Bolshevism is really an instrument in the hands of the Jews for the establishment of their future Messianic kingdom.”
“A miracle is a shift in perception. The moment that we choose to perceive our life with love, we can create miraculous change.”

Source : FaceBook post by Marianne Williamson from Feb 14, 2013
“You are fully capable of deciding your own destiny.Â The question you face is, â€˜Which path will you choose?â€™.Â This is something only you can decide.”

Source : "Fictional character: Sarek". "Star Trek", www.imdb.com. April 6, 2009.
“Nothing is more dangerous to men than a sudden change of fortune.”

Source : "Hoyt's New Cyclopedia Of Practical Quotations" by Jehiel Keeler Hoyt, p. 289-93, De Institutione Oratoria, CCLX, 1922.

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