"We could go back," he said. In the dome light of the car, his face looked hard as stone. "We could go back to your house. I can stay with you always. We can know each other's bodies in every way, night after night. I could love you." His nostrils flared, and he looked suddenly proud. "I could work. You would not be poor. I would help you." "Sounds like a marriage," I said, trying to lighten the atmosphere. But my voice was too shaky. "Yes," he said."
Source : "OSCARS: Producer Scott Rudin Talks Critics Awards, Salander, His 'Jeopardy' Discovery And Why A Non-Baseball Fan Relates To 'Moneyball'". Interview with Mike Fleming Jr, deadline.com. January 12, 2012.