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“It's funny, I played a social gig once - we were playing music that was rhythm based, but it was going in some strange places. Some people came up to me afterward and said, "Can you play a tune that we'll all recognize?" I've carried that with me forever - why would you want a tune you could recognize? What's the point of that?”
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“It is impossible to conceive of many without one.”
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“If we save our wild places, we will ultimately save ourselves.”
Source : Steve Irwin, Terri Irwin (2002). “The Crocodile Hunter: The Incredible Life and Adventures of Steve and Terri Irwin”, p.211, Penguin
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“When industry people see something different they don't know what to do with it, so filmmakers who make films about women, they kind of fall through the cracks. If a woman filmmaker makes film about war, they say "Okay, this is a war film, it has ninety percent men in it, we know what to do with it." But then it still gets attacked for not doing it properly. But even though it bothers me I don't want to dwell on the sex and gender thing.”
Source : "Animating the Unspeakable". Interview with Isabel Ortiz, logger.believermag.com. May 14, 2015.
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“Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.”
Source : "Expressing "The Misery and Confusion Truthfully": An Interview with Beth Henley". "American Drama" Journal, Vol. 14, No. 1, 2005.
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“See, I will always have this penchant for what I call kamikaze women. I call them kamikazes because they, you know they crash their plane, they're self-destructive. But they crash into you, and you die along with them.”
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“My whole thing is I want to have a backup plan because maybe I won't get another acting job after 'Fame', maybe I'll want to give up on acting in five years or whatever and I want to have something else that I enjoy just as much as I enjoy acting.”
Source : Biography/Personal Quotes, www.imdb.com.
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“Teaching is performance art.”
Source : Kate Clinton (2012). “Don't Get Me Started”, p.35, Bywater Books