Eliot Lewis famous quotes
Last updated: Sep 5, 2024
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I try and absorb all the things that I respect in the artist's I've worked with.When we work with someone on, Live From Daryl's House, we really get inside their music which gives me an even broader idea of the writing process. I think I'm always learning from everything in life. There are really songs everywhere.
-- Eliot Lewis -
In order to have a lasting career you'll need to spend time performing live to build your own audience, as it's not all about social media. Word of mouth still rules.
-- Eliot Lewis -
I shoot with a few different camera's. A Sony A6000 with several lenses and a Lumix LX100 with a beautiful Leica lens. I like to travel light so I can have it with me most of the time. I really try and document all the places we travel to.
-- Eliot Lewis -
You'll also need to invest in yourself with the kind of promo that targets your specific audience to help build that word of mouth. Most importantly, believe in what you're doing and in your music and lyrics.
-- Eliot Lewis -
Fortunately, I'm in a band with people who really like and respect each other personally.That makes this whole experience so much better.
-- Eliot Lewis -
Of course you lose track of where you are sometimes, as you finish a show and ride in a tour bus from anywhere from 3 -12 hours and wake up in another city, and check into a hotel. So, I woke up after a few hours, packed all my stuff up and headed for the bus to depart for that day's show. I get to the lobby and our production person looked at me and said, "where are you headed?" - It was a day off!
-- Eliot Lewis -
My record, Evolution, is really about me evolving as an artist and trying a few new things. There's a song called, Road Worn, which is about spending so much time on the road and is a lot more jazzy sounding than most of my other music.
-- Eliot Lewis -
Usually now a song starts just in my head with a melody or a lyric idea coming first.Then typically I'll go to a guitar, unless it's a instrumental then I'll usually build it on a keyboard instrument.
-- Eliot Lewis -
I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.
-- Eliot Lewis
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It's funny because if you ever ask anyone in England to try and do a Beatles accent, no one knows what they really sound like. If you ask anyone in America, they would try and give it a go. English people just know their songs.
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Anyone who's got a guitar, you like to pick it up. I can play a couple of songs, some '50s rock and roll, a bit of Elvis. That's it, really - I'm not a musician, I'm not a singer.
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For many of us the march from Selma to Montgomery was about protest and prayer. Legs are not lips and walking is not kneeling. And yet our legs uttered songs. Even without words, our march was worship. I felt my legs were praying.
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Faith is not the clinging to a shrine but an endless pilgrimage of the heart. Audacious longing, burning songs, daring thoughts, an impulse overwhelming the heart, usurping the mind--these are all a drive towards serving Him who rings our hearts like a bell. It is as if He were waiting to enter our empty, perishing lives.
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It came about as follows: over the years when I was involved in dianetics, I wrote the beginnings of many stories. I would get an idea, and then write the beginning, and then never touch it again.
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I’m not a fan of ‘write what you know.’ If you don’t know, find out. I knew nothing about the Bible before I started writing ‘The Year of Living Biblically.’ That was kind of the point – to learn.
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If the first requisite for writing well about food is a good appetite, the second is to put in your apprenticeship as a feeder when you have enough money to pay the check but not enough to produce indifference of the total.
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An artist's job is simply to take the mirror in front of your face and hold it there. It's not to give you any answers. It is simply to take that mirror and point it at you.
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As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
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An artist who dedicates his life to art, burdens his art with his life, and his life with his art.
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