Stuart A. Staples famous quotes
Last updated: Sep 5, 2024
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Sometimes when there is action, we just tend to avoid those moments with music, and have music in a separate part that allows you to dream and to make your mind up on where you're at in the story.
-- Stuart A. Staples -
I'm still exploring. As I look back, Nénette Et Boni had a massive effect on the album we made after it, Curtains. I think it's been like that all the way through. Trouble Every Day had a massive effect on Can Our Love... I think it's allowed us to raise our heads, take a bit of a left turn, explore different avenues, and then come back to our own thing and see it in a different way.
-- Stuart A. Staples -
I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.
-- Stuart A. Staples -
We're doing all the shows as an eight-piece band. There's so many different kinds of palettes for each film that we've had to find a balance of musicians who can shift from one instrument to another to make all those sounds for us come to life.
-- Stuart A. Staples -
When I see a movie, the music often gets in the way for me. It's something that, say, for myself and Claire, we never, ever speak about. We never speak about describing emotion. I think it's about color and movement. And I think it's important to let the images be the melody, as well, a lot of the time - to create a kind of a backing for that, to let it sing.
-- Stuart A. Staples -
There seems to be such an insecurity with a lot of films. When they're made, you have to pack every moment to feel something and use the music in that way. That's something I just naturally don't feel.
-- Stuart A. Staples -
I'm so aware when you make a film, there are so many elements to get right. So many people with such important jobs. You know, it's terrible. I walk away from a film going, "The cinematography was great, wasn't it? But the music wasn't so good. The casting wasn't great."
-- Stuart A. Staples
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My biggest dream to connect people through music has come true. In a world where there are enough reasons to separate us, the Oscars have unified us.
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It's a special honor to be one of the leaders of this football team. But I said it once, I'll say it again, no one person wins a game by themselves. Individually, it's top of the mountain, my sport, my profession. It's what you dream about as a kid.
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Dream is not that which you see while sleeping it is something that does not let you sleep.
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Ideas may drift into other minds, but they do not drift my way. I have to go and fetch them. I know no work manual or mental to equal the appalling heart-breaking anguish of fetching an idea from nowhere.
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The mortal sickness of a mind too unhappy to be kind.
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The minds of stone lovers had colonised stones as lichens clung to them with golden or grey-green florid stains. The human world of stones is caught in organic metaphors like flies in amber. Words came from flesh and hair and plants. Reniform, mammilated, botryoidal, dendrite, haematite. Carnelian is from carnal, from flesh. Serpentine and lizardite are stone reptiles ; phyllite is leafy-green.
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Recruiting Station was a story that came as the result of many anxious awakenings during many nights.
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If you don't have a sensation of apprehension when you set out to find a story and a swagger when you sit down to write it, you are in the wrong business.
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STORIES WE TELL is one of the boldest and most exciting films I’ve seen in the last six months, and the kind of experience that has the power to alter your perception of the world.
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I'll tell you what I miss most. What I would love to do, more than anything, is just anthologies. With an anthology you can tell any story and be in every division of television. We don't have any anthologies anymore, do we?
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