Elie Faure famous quotes
Last updated: Sep 5, 2024
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The stamping out of the artist is one of the blind goals of every civilization. When a civilization becomes so standardized that the individual can no longer make an imprint on it, then that civilization is dying. The mass mind has taken over and another set of national glories is heading for history's scrap heap.
-- Elie Faure -
God is a child who amuses himself, going from laughing to crying for no reason, each day reinventing the world to the chagrin of hair-splitters, pedants, and preachers, who try to teach God his job as Creator.
-- Elie Faure -
Velázquez, past the age of fifty, no longer painted specific objects. He drifted around things like the air, like twilight, catching unawares in the shimmering shadows the nuances of color that he transformed into the invisible core of his silent symphony.
-- Elie Faure -
Velázquez, past the age of fifty, no longer painted specific objects. He drifted around things like the air, like twilight, catching unawares in the shimmering shadows the nuances of color that he transformed into the invisible core of his silent symphony.
-- Elie Faure
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As a kid, I was always into art at the same time as computers, and eventually I realised I was making more interesting stuff with my keyboard than with my hands. I really enjoyed modifying computer games more than playing them, so that got me into programming.
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We look at the world and see what we have learned to believe is there. We have been conditioned to expect... but, as photographers, we must learn to relax our beliefs.
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The artist draws a picture of a rose very nicely with all attention and artistic sense, and yet it does not become as perfect as the real rose. If that is the real fact, how can we say that the real rose has taken its shape without Intelligence behind the beauty?
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In Jesus Christ on the Cross, there is refuge; there is safety; there is shelter; and all the power of sin upon our track cannot reach us when we have taken shelter under the Cross that atones for our sins.
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Sarah took a deep breath and set off along the passageway again. A clump of lichen on the gatepost opened its eyes and watched her go. The eyes, on tendrils, had an anxious look, and when she had gone some distance away the clump, swiveling its eyes toward each other, commenced to gossip among itself. Most of it disapproved of the direction she had taken. You could tell that from the way the eyes looked meaningfully into each other. Lichen knows about directions.
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I was given a small camera as a wedding gift from a very dear friend. My first pictures were taken on my honeymoon. As soon as I became familiar with the camera, I was intrigued with the possibilities of expression it offered. It was like a discovery for me.
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The fact is that comedy is actually too serious to be taken seriously. It may be that comedy touches such deep emotions that people feel better if they can just dismiss it as trivial. Just take a big belly laugh. I have watched people laughing, and for a moment they look-and are-absolutely helpless. Vulnerability. You can be assaulted while you are laughing.
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If the lives of men can be measured in terms of years, ideologies in decades, and nations in centuries, then the unit measuring civilizations, born of the interaction among peoples, would be the millennium.
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The human race has improved everything, but the human race.
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To be complex does not mean to be fragmented. This is the paradox and the genius of our Canadian civilization.
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