Seamus McGarvey famous quotes
Last updated: Sep 5, 2024
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I think people just see cinematography as being about photography and innovative shots and beautiful lighting. We all want our movies to look great visually, to be beguiling and enticing, but I think that what really defines a great cinematographer is one who loves story.
-- Seamus McGarvey -
I think that digital is offering many great possibilities for cinematographers. Particularly in urban cityscapes and low light photography its allowing us to render what we actually see with our eyes; which is interesting.
-- Seamus McGarvey -
It's interesting vocalizing something that is visual.
-- Seamus McGarvey -
I think, retrospectivety helps to hone your ideas for future projects. I like it.
-- Seamus McGarvey -
I wanted to shoot the sex scenes unadorned so that the actors could really live in the moment.
-- Seamus McGarvey -
You don't have to shoot the film in the first couple days of principal photography.
-- Seamus McGarvey
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I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
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My beautiful soul,"he murmured and caressed my cheek."When you have the ultimate selfless sacrifice it paid my wrong.You proved to be worthy of my devotion.Of Death's...love.
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Leif's frown eased and he slid his finger under my chin and gently caressed my jaw line with the pad of his thumb. "Pagan,will you do me the honor of being my date for Homecoming Dance?The prospect of not being able to hold you in my arms all night is heartbreaking." Mirand sighed from across the table. "Okay,that was beautiful.Why didn't you ask me like that?"she asked Wyatt. Wyatt shot Leif an annoyed frown. "Thanks,buddy.Next time you decide to break out your romantic side,could you do it alone?
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The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.
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Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything.
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As the language or vocabulary of photography has been extended, the emphasis of meaning has shifted, shifted from what the world looks like to what we feel about the world and what we want the world to mean.
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What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.
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The interesting adults are always the school failures, the weird ones, the losers, the malcontents, this isn’t wishful thinking. It’s the rule.
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I don't think that when Zionism began there was a claim that we were losing - even in part - our capacity to contribute to other peoples.
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Some of my academic friends think Ive fallen from a very special grace.
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