Tod Papageorge famous quotes
Last updated: Sep 5, 2024
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By being fictions and, at the same moment, returning their subjects to us with a compelling fidelity, both photographs and poems work with the same surprise... both strike us as if they were simultaneously remembrances and revelations.
-- Tod Papageorge -
If you accept the idea that photographers, or some of them, are actually artists, then you have to look at their work less as a document of something than as a personal vision of the world.
-- Tod Papageorge -
My argument against the set-up picture is that it leaves the matter of content to the imagination of the photographer, a faculty that, in my experience, is generally deficient compared to the mad swirling possibilities that our dear common world kicks up at us on a regular basis.
-- Tod Papageorge -
I profoundly believe in - and teach - the proposition that photography is inherently a fiction-making process. Don't speak to me of the document; I don't really believe in it, particularly now. A picture's not the world, but a new thing.
-- Tod Papageorge -
It's unarguable to say that every one of us has been moved by the beauty of what I have called snapshots, but for photographers they are charms and proverbs, and like lightening or wild strawberries.
-- Tod Papageorge -
Cameras are like dogs, but dumb, and toward quarry, even more faithful. They point, they render, and defy the photographer who hopes.
-- Tod Papageorge -
[The photograph] is fabricated out of the unfabricated dross of passing life (while paradoxically still trading on the indexical heft of that dross).
-- Tod Papageorge -
I believe that the (distorting) mirror which is photography holds an intrinsic, even elemental, relation to writing.
-- Tod Papageorge
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If I have done any deed worthy of remembrance, that deed will be my monument. If not, no monument can preserve my memory.
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Remembrance of death saves one from this world's deceit.
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I first read science fiction in the old British Chum annual when I was about 12 years old.
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It is not the office of a novelist to show us how to behave ourselves; it is not the business of fiction to teach us anything.
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All writers have roots they draw from - travel, work, family. My roots are in science and it is fertile ground for fiction.
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I like to blur the line between fact and fiction, but not to condescend to the reader by enmeshing her/him into some sort of a postmodern coop.
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In Bosnian, there's no distinction in literature between fiction and nonfiction; there's no word describing that.
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That which takes us by surprise-moments of happiness-that is inspiration.
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Machines take me by surprise with great frequency.
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Familiarity with nature never breeds contempt. The more one learns, the more one expects surprises, and the more one becomes aware of the inscrutable.
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