Simin Behbahani famous quotes
Last updated: Sep 5, 2024
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The fact that I'm a woman is as important to my work as a poet as the fact that Ahmad ShÄmlu was a man was important to his work as a poet. Basically, gender shouldn't be viewed as an advantage in art. If a poem or a piece of writing is good, what difference does it make whether it's by a woman or a man? And, if it's bad, why should its writer's gender make it good?
-- Simin Behbahani -
Old I may be, but, given the chance, I will learn.
-- Simin Behbahani -
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
-- Simin Behbahani -
Democracy is the product of human thought and reasoning. It's true that philosophers and thinkers have always imagined a utopia in which everything is as it ought to be and the people live in freedom and comfort. But this was not achieved until recent centuries.
-- Simin Behbahani -
I've stood in long lines, in the rain and under the sun, just to buy a pack of butter or a box of paper napkins. I've seen mothers running after the corpses of their martyred sons, oblivious to whether their headscarves or their chadors or their stockings and shoes were slipping off or not. I won't say any more. In the light of all this, how did you expect my poetry to be joyful or, as in my recent poem, to speak of love? Even so, more than half of my poetry is joyful and these are the products of the moments when I've felt happy.
-- Simin Behbahani -
Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.
-- Simin Behbahani -
Literature rests on language. It is a linguistic art. So it cannot sever its relationship with the past. But it can create new methods and styles that differ in structure, form, and content from the past.
-- Simin Behbahani -
The more stringent the rules and the more limiting they are, the more the poet and writer is forced to resort to special techniques and intricacies to escape them. And these techniques and intricacies adorn the writing and make it more beautiful. But, in the modern world, linguistic intricacies and embellishments do not attract much attention anymore, and the more sincere and intimate the relationship between a work and its reader, the better.
-- Simin Behbahani -
No one can create a noteworthy work without knowing the tenets of their own language and literature. Language is renewed but it never changes its essence, because the contracts that have come about over time for communication cannot be rescinded so easily.
-- Simin Behbahani
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Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.
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I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.
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The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.
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Back in the days when American billboard advertising was in flower [said Hemingway], there were two slogans that I always rated above all others: the old Cremo Cigar ad that proclaimed, Spit Is a Horrid Word-but Worse on the end of Your Cigar, and Drink Schlitz in Brown Bottles and Avoid that Skunk Taste. You don't get creative writing like that any more.
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I’m not a fan of ‘write what you know.’ If you don’t know, find out. I knew nothing about the Bible before I started writing ‘The Year of Living Biblically.’ That was kind of the point – to learn.
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The primary requisite for writing well about food is a good appetite.
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I can write better than anybody who can write faster, and I can write faster than anybody who can write better.
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We always knew how to honor fallen soldiers. They were killed for our sake, they went out on our mission. But how are we to mourn a random man killed in a terrorist attack while sitting in a cafe? How do you mourn a housewife who got on a bus and never returned?
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A devotee should be fixed in the conclusion that, the spiritual master cannot be subject to criticism and should never be considered equal to a common man.
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The soul of the slave, the soul of the "little man," is as dear to me as the soul of the great.
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