Erin Cressida Wilson famous quotes
Last updated: Sep 5, 2024
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I always thought that the location of this film [Girl In The Train] was on the train and inside her imagination, and her loneliness and her gaze out the window.Although it was set in England, it didn't feel to me like an overly English book. In terms of the use of cultural references, it was not extreme, so it was very simple to go from England to America in the adaptation.
-- Erin Cressida Wilson -
I really needed to dramatize and clarify that Rachel was taking strides towards her own healing and her own sobriety - and that she was actually thoroughly frightened about what she may have done.This was something that was so beautifully done in the book [The Girl on the Train] through inner monologue, but I couldn't just have a whole film filled with inner monologues. So going to Alcoholics Anonymous was a very simple solution to that problem.
-- Erin Cressida Wilson -
It's what you do when you have Allison Janney.My jaw-dropped at her performance. You think that part is sort of a regular part until she steps into the shoes of the officer. She just filled it with such dimension and by giving her the whole shebang, the whole police thread, I think it was the right choice.
-- Erin Cressida Wilson -
I needed to enhance the outward threat to Rachel.In the book [Girl on the Train], her inner threat is so strong; the fear of herself and her inability to remember and the false memories. In the film [Girl on the Train]I wanted to increase the exterior threat. So that's why Allison's part was bigger and was an important part of the climax of the film.
-- Erin Cressida Wilson -
I wanted to keep the complexity of the female experience in the film as much as it is in the book, and the subject of not wanting a child is a very interesting subject, one that's not dealt with very much actually.However that complexity was not serving the story of what became the film [The Girl on the Train].
-- Erin Cressida Wilson -
I really wanted Rachel [from the Girl on The Train] to be purely fixated on fantasy and on her ex-husband.I didn't want her to be embarking on romance, touching people; I wanted her purely in the realm of fantasy and frustration and dreaming and sadness.
-- Erin Cressida Wilson -
Just because Rachel [from the Girl On The Train] is an unreliable character doesn't mean she has sex with anybody who walks by her. It was important to keep her a little virginal.
-- Erin Cressida Wilson -
The gaslight of the film [The Girl On The Train] became something that really needed to be dramatized more than the book did, because it wasn't going to read as strongly on screen.
-- Erin Cressida Wilson -
It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.
-- Erin Cressida Wilson
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If a boxer ever went as crazy as Nijinsky all the wowsers in the world would be screaming 'punch-drunk.' Well, who hit Nijinsky? And why isn't there a campaign against ballet? It gives girls thick legs
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It's Friday and I'm ready to swing. Pick up my girls and hit the party scene.
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Then the fear all humans felt when met with Death’s gaze came over his face. That’s right buddy, I’m Death, now move away from my girl.
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SO the richest are often the poorest as this saying goes, "Loneliness is the ultimate poverty"
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None of the prophets old, So lofty or so bold! No form of danger shakes his dauntless breast; In loneliness sublime He dares confront the time, And speak the truth, and give the world no rest No kingly threat can cowardize his breath, He with majestic step goes forth to meet his death.
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Maybe a first love exists to reaffirm the best parts of yourself, the choices you made when you didn't worry about the consequences. Maybe a first love exists to remind you to be brave in the moment, to stand up for your feelings, instead of shrinking back in the face of potential loneliness.
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It is strange to be known so universally and yet to be so lonely.
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The Old Testament is responsible for more atheism, agnosticism, disbelief - call it what you will - than any book ever written; it has emptied more churches than all the counterattractions of cinema, motor bicycle and golf course.
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Books are the basis; purity is the force; preaching is the essence; utility is the principle.
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In very clear and available language, this book details how to recognize the inner critic and how to deal effectively with it. Byron Brown's presentation is useful for any individual who wishes to be free from the inner suffering and coercion of this ancient foe of our humanity, but it is specifically directed to those interested and engaged in the inner journey toward realization and enlightenment.
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