Flora Purim famous quotes
Last updated: Sep 5, 2024
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When I arrived in America at the end of 1967, my only purpose was to observe (for a couple of months) my idols, which were mostly instrumentalists. I wanted to play jazz, not sing it.
-- Flora Purim -
Well, I've heard a lot of people, but I think I would say a Brazilian musician named Hermeto Pascoal was one of my biggest influences. Through the years he mastered the keyboards. He use to play the organ Hammond B3, flute, saxophone, percussion and guitar. He is one of the most complete musicians that I ever met. Not too long after we came to the United States, Airto Moreira introduced him to Miles Davis, who recorded three of Hermeto's compositions on his album "Live Evil.
-- Flora Purim -
I don't determine the singles. I believe the record company sends a bunch of CDs out to people that they trust in the business, and wait for their response to determine which songs will become singles.
-- Flora Purim
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I don't remember a drama on TV that had shown a couple could be married but still love each other very much, spend every day as if they were still on their honeymoon, be sensuous, and have fun together.
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One of the things I've really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are. Clearly in this business you have to contend with a lot of that.
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Anything you love more, fear more, serve more, or value more than God is your idol.
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I don’t want to do what my idols did… I want to do more than they did. And I feel like I’m on my way.
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I auditioned for 'American Idol' at 17. They told me, 'No.'
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Extremely large greens breed slovenly play. When any green ceases to command respect, it loses its value as a test of that rarest of all strokes, the shot home.
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If you want something to play with go find yourself a toy, baby, my time is too expensive and I'm not a little boy.
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I think by eighth grade I knew I wanted to be an actor. I'd done church plays and stuff, but my first actual acting class was in eighth grade. I was obsessed with it.
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The thing you realize as you get older and you play, that you don't really understand when you're a backup the first few offseasons, how important that mental rest is. It's a grind physically during the season, dealing with the hits and the physical pain that goes with playing in this game. But mentally it's probably more taxing, so you need that ability to find that escape.
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The stuff that I write doesn't work very well as background music. You have to watch it from beginning to end and pay attention as if you were watching a play.
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