Philip Auslander famous quotes
Last updated: Sep 5, 2024
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If television once could be seen as ranking among a number of vehicles for conveying expression or information from which we could choose, we no longer have that choice: the televisual has become an intrinsic and determining element of our cultural formation.
-- Philip Auslander -
In theatre, presence is the matrix of power; the postmodern theatre of resistance must therefore both expose the collusion of presence with authority and resist such collusion by refusing to establish itself as the charismatic Other.
-- Philip Auslander -
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
-- Philip Auslander -
We need to remain alert to what happens to the body when it is mediatised. Too often, the mediatised body is an anaesthetised body. I would be the last person to argue that the body signifies at some basic level that precedes or transcends its cultural inscriptions. Nevertheless, there is an ethical imperative not to conflate the body with its representations and mediations, but to remember that there is an actual body there somewhere, experiencing the consequences of what is being done to it.
-- Philip Auslander -
The dilemma of Brechtian performance is that, for all of Brecht's emphasis on rationality and the undermining of theatrical illusion, the actor must convincingly portray something that she is not.
-- Philip Auslander -
It's impossible to say that live art enjoys any single status in the information age--there are versions of live art that are still primarily art-world phenomena, others that appeal to much broader audiences. The Burning Man festival is a case in point--an event featuring performance that is itself a performance, which partakes simultaneously of frontier mythology, a counter-cultural impulse, and popular cultural visibility.
-- Philip Auslander
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In times of violence, personal predilections for niceties of colour and form seem irrelevant. All primitive expression (like the myths) reveals the constant awareness of powerful forces, the immediate presence of terror and fear.
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Food is a subject of conversation more spiritually refreshing even than the weather, for the number of possible remarks about the weather is limited, whereas of food you can talk on and on and on.
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You're going to fall down, but the world doesn't care how many times you fall down, as long as it's one fewer than the numbers of times you get back up.
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There are a number of places on marine charts where even the most weathered sailors point and say, "Right there, nothing can go wrong. Everything has to go right." One place is the turbulent passage south of Cape Horn. Another is the dead center of the Indian Ocean.
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We have been the recipients of the choicest bounties of Heaven; we have been preserved these many years in peace and prosperity; we have grown in numbers, wealth, and power as no other nation has ever grown.
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A number of current theoretical explorations will turn out to be passing fancies...
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A mathematician's reputation rests on the number of bad proofs he has given.
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Once upon a time, a historian told me that the most important choice a new historian could make was of his or her specialist subject. Most of the good stuff was far too overcrowded, so you had to pick about in the exotic and extinct. His recommendations were the Picts or the Minoans, because hardly anything was known about them and you could spend a happy lifetime of speculation.
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Friendship is the positive and unalterable choice of a person whom we have singled out for qualitites that we admire.
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Music is a current of hard choices made to seem easy by the mind.