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The choreographic process is exhausting. It happens on one's feet after hours of work, and the energy required is roughly the equivalent of writing a novel and winning a tennis match simultaneously.
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The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind. From this voyage no one returns poor or weary.
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Is there a chance? A fragment of light at the end of the tunnel? A reason to fight? Is there a chance you may change your mind? Or are we ashes and wine?
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Taking our stand on the immovable rock of Christ's character we risk nothing in saying that the wine of miracle answered to the wine of nature, and was not intoxicating. No counter proof can equal the force of that drawn from His attributes. It is an indecency and a calumny to impute to Christ conduct which requires apology.
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I'm Mozart with a focus on the tide Hiding the inconsistencies of man behind water and wine
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The Asian airlines have the best wine programs.
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My definition of palatable might be slightly different from yours.
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We all have levels of performance.
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I've been onstage once for one performance with four days' rehearsal.
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You lose with potential. You win with performance.
