Carlo Wolff famous quotes

Last updated: Sep 5, 2024

A master of tone and texture and an authority on the bizarre, Karen Russell writes with great flair and fearlessness.
-- Carlo Wolff

#Writing #Texture #Tone
An engaging, blow-by-blow account of the infancy of the Obama presidency. . . . Manna for political junkies. . . . Thoroughly researched . . . humanizes a figure considered periodically out-of-touch even by some of his admirers.
-- Carlo Wolff

#Blow #Political #Admirer
Absorbing. . . . Scrupulously reported . . . illuminates todayâ€™s Middle East. . . . The â€˜least interventionist of any modern president,â€™ the father of the Eisenhower Doctrine that still defines US policy in the Middle East . . . in 1956 battled demons in bodies personal and politic and in the desert â€“ and prevailed. Nicholsâ€™ book, written lean enough to allow the facts to speak for themselves, makes for exciting history.
-- Carlo Wolff

#Father #Book #President
Itâ€™s hard to pin down what makes Weissâ€™ music so distinctive. Perhaps itâ€™s that even in the ballads, the tone is upbeat, the outlook positive. The way Weiss writes - passionately, wittily and with respect for his fellow musicians - attests to his talent and appetite for creativity, and suggests a long, enjoyable career.
-- Carlo Wolff

#Writing #Creativity #Careers
It’s hard to pin down what makes Weiss’ music so distinctive. Perhaps it’s that even in the ballads, the tone is upbeat, the outlook positive. The way Weiss writes - passionately, wittily and with respect for his fellow musicians - attests to his talent and appetite for creativity, and suggests a long, enjoyable career.
-- Carlo Wolff

#Writing #Creativity #Careers

If the English language had been properly organized ... then there would be a word which meant both 'he' and 'she', and I could write, 'If John or Mary comes heesh will want to play tennis', which would save a lot of trouble.
Iâ€™m not a fan of â€˜write what you know.â€™ If you donâ€™t know, find out. I knew nothing about the Bible before I started writing â€˜The Year of Living Biblically.â€™ That was kind of the point â€“ to learn.
The photographer has almost as much control over his subject matter as a painter. He can control light and shade, form and space, pattern and texture, motion and mood, everything except composition.
There is more to be pondered in the grain and texture of life than traditional fiction allows. The work of essayists is vital precisely because it permits and encourages self-knowledge in a way that is less indirect than fiction, more open and speculative.
We don't â€œcraveâ€ animal-based meat, dairy, and eggs, but we do crave fat, salt, flavor, texture, and familiarity.
I'm not interested in the texture of a rock, but in its shadow.
All you can really do as director is sort of set a tone.
Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.
The GH50L is a monster of an amp. It's refreshing to play an amplifier that is loaded with tone but without unnecessary bells and whistles. Raw and powerful.
The Following and Hannibal are really well made, but the tone is very consistently dark.

Carlo Wolff famous quotes

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