Bryan Bertino famous quotes
Last updated: Sep 5, 2024
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I build my stories character-first, and so whether it's a monster or a ghost or a serial killer, the fear of something dark interrupting life has just always been something that matters to me as a storyteller, or what I keep finding myself drawn back to.
-- Bryan Bertino -
Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
-- Bryan Bertino -
I certainly think that - especially with the challenges of making movies now, where you're making them in 20 or 30 days - the more experiences that you can get on those kinds of movies, where you have to use a lot of your problem-solving skills that maybe you wouldn't get on a film that takes three months, that, to me, has just been amazing.
-- Bryan Bertino -
Even though it took forever to release a movie, and even though it's a small indie release, the fact that in five years someone will be skipping through Netflix, or Amazon, or whatever and say, "Wow, that was a really cool movie. That was a really great story. Or I was really creeped out, or intrigued by that." You almost kind of forget what it took to get there, or was it in the theaters or not. So that's kind of exciting as a filmmaker. That it doesn't really matter as much the release platform, as much as how can I see it?
-- Bryan Bertino -
When you wake up in the middle of the night and you hear a scary sound, you're not picturing yourself getting the girl, you're not picturing yourself winning the prize and becoming a hero. What makes you scared is the fear that you're gonna die, or that something horrific is gonna happen. So while I'm not opposed to happy ending, or wherever the story is naturally supposed to go-I do end up finding that I like movies where you almost end up feel, at best, that the character survived it more than championed over it.
-- Bryan Bertino -
I've always said if I came up with a story that wasn't fear based that I was passionate about, that I would explore it. It's just that for as long as I can remember when I sit down in front of a piece of paper it's usually something scary in my head that I end up spilling out. So until that changes, yeah I love the genre and really believe in it.
-- Bryan Bertino -
We live in an age now where people go to the movies and, even the biggest movies are in the theaters six, eight weeks and then gone. And then for the rest of time now people are watching them on their phones, or computers, or TVs. And that's how the films gonna live.
-- Bryan Bertino
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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The purely righteous do not complain of the dark, but increase the light; they do not complain of evil, but increase justice; they do not complain of heresy, but increase faith; they do not complain of ignorance, but increase wisdom.
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The political horizon looks dark and lowering; but the people, under Providence, will set all right.
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Until the 1990s, there were few reliable observations about movement at the scale of the entire universe, which is the only scale dark energy effects. So dark energy could not be seen until we could measure things very, very far away.
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Great. First the anonymous call. Now letters. Body parts all over town. It was like a scavenger hunt for psychos. Running after clues with a half-deranged, serial-killer-obsessed, recovering-addict cop was not a good idea. Then again...
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I also remember when I watched Henry: Portrait of a Serial Killer [1990] at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept ***** teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.
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I don't believe in ghosts but they blindly believe in me
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Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge.
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All human life is here, but the Holy Ghost seems to be somewhere else.
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Now about those ghosts. I'm sure they're here and I'm not half so alarmed at meeting up with any of them as I am at having to meet the live nuts I have to see every day.
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