Andreas Feininger famous quotes

03-28-2025

A technically perfect photograph can be the world's most boring picture.
-- Andreas Feininger

#Perfect #World #Boring
As an amateur you have an advantage over photographers - you can do as you wish... This should make amateurs the happiest of photographers.
-- Andreas Feininger

#Wish #Photographer #Advantage
Any good photograph is a successful synthesis of technique and art.
-- Andreas Feininger

#Art #Successful #Technique
The difference in 'seeing' between the eye and the lens should make it obvious that a photographer who merely points his camera at an appealing subject and expects to get an appealing picture in return, may be headed for a disappointment.
-- Andreas Feininger

#Disappointment #Eye #Differences
No one can do inspired work without genuine interest in his subject and understanding of its characteristics.
-- Andreas Feininger

#Understanding #Inspired #Characteristics
It's nothing but a matter of seeing, thinking, and interest. That's what makes a good photograph. And then rejecting anything that would be bad for the picture. The wrong light, the wrong background, time and so on. Just don't do it, not matter how beautiful the subject is.
-- Andreas Feininger

#Beautiful #Photography #Thinking
Realism and superrealism are what I'm after. This world is full of things the eye doesn't see. The camera can see more, and often 10 times better.
-- Andreas Feininger

#Photography #Eye #Cameras
With a short lens I can reveal the hidden things near at hand, with a long lens the hidden things far away. The telephoto lens provides a new visual sensation for people: it widens their horizons. And, conversely, the things under our nose invariably look good when blown up really big.
-- Andreas Feininger

#Photography #Hands #People
The camera can push the new medium to its limits - and beyond. It is there - in the "beyond" - that the imaginative photographer will compete with the imaginative painter. Painting must return to the natural world from time to time for renewal of the artistic vision. The key sector of renewal of vision today is the new vistas revealed by science. Here photography, which is not only art but science also, stands on the firmest ground.
-- Andreas Feininger

#Photography #Art #Keys
Light is the photographic medium par excellence; it is to the photographer what words are to the writer; color and paint to the painter; wood, metal, stone, or clay to the sculptor.
-- Andreas Feininger

#Photography #Light #Color
Know - how is worthless unless guided by know - why and know - when.
-- Andreas Feininger

#Photography #Worthless
The photographer has almost as much control over his subject matter as a painter. He can control light and shade, form and space, pattern and texture, motion and mood, everything except composition.
-- Andreas Feininger

#Space #Light #Texture
... pay attention to everything within the field of view.
-- Andreas Feininger

#Photography #Views #Attention
Every successful photograph, except for lucky shots, begins with an idea and a plan. The more precisely a photographer knows what it is he wishes to do, the better the chances are that he will do it.
-- Andreas Feininger

#Photography #Successful #Ideas
Before you shoot an irresistible subject, mute all your senses except sight to find out how much is left for the camera to record.
-- Andreas Feininger

#Photography #Sight #Cameras
Don't look for "depth" but instead search for subject aspects which prove the presence of depth.
-- Andreas Feininger

#Photography #Depth #Looks
Experience has shown that the more fascinating the subject, the less observant the photographer.
-- Andreas Feininger

#Photography #Photographer #Subjects
Photographers - idiots, of which there are so many - say, "Oh, if only I had a Nikon or a Leica, I could make great photographs." That's the dumbest thing I ever heard in my life. It's nothing but a matter of seeing, and thinking, and interest.
-- Andreas Feininger

#Photography #Thinking #Leica
Two factors thus emerge as requisites of success in the field of creative photography. First, the subject must be photogenic. Second, its re-creation in a photograph must be based upon technical knowledge, guided and supported by artsitic inspiration.
-- Andreas Feininger

#Photography #Inspiration #Two
Human vision is untrustworthy, subjective and selective. Camera vision is total and non - objective.
-- Andreas Feininger

#Vision #Cameras #Untrustworthy
The first impression of a new subject is not necessary the best. Seen from a different angle or under different condition it might look even better. Always study a three - dimensional subject with one eye closed.
-- Andreas Feininger

#Eye #First Impression #Different
What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience.
-- Andreas Feininger

#Honesty #What Matters #Understanding
(1) The more thoroughly a photographer explores his subject with the camera (i.e., the more pictures he makes), the more he sees and the better his chance of getting good results. (2) Even slight changes in subject approach can make significant differences in the effect of the picture.
-- Andreas Feininger

#Differences #Cameras #Chance

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